Homepage

Hungarian Fantasy – Everyday Life in Budapest in the Age of Erkel and Liszt

The Pest National Theatre’s Orchestra and Musicians

The orchestra of the National Theatre was the most significant professional symphonic ensemble in the musical life of 19th century Budapest. Contemporary documents from the theatre’s archives, as well as additional sources, offer an insight into the orchestra’s everyday life and the operation of the theatre, as well as the life events of the musicians.

The national patronage of the Hungarian Theatre in Pest – acquired in August 1840, three year after its establishment – was an important step in the history of the institution. From then on, it was directly under the jurisdiction of the Hungarian Diet [National Assembly], bypassing further governmental authorities, and adopting the designation “National Theatre.” During the 1840s, the number of opera performances increased, and so did the number of the orchestra’s permanent members. By 1853, the Orchestra of the National Theatre had 46 members, while the Orchestra of the Philharmonic Society, founded in 1853, had 47 members. Musical societies founded during the reform era in order to boost up musical life included the Pest-budai Hangászegyesület [Pest-Buda Music Society, est. 1836], led by Gábor Mátray, and the Pest-budai Hangászegyleti Énekiskola [Singing School of the Pest-Buda Music Society, est. 1839–1840] which served music education purposes, too. These two societies later merged to become the Pest-budai Hangászegyleti Zenede [Conservatory of the Pest-Buda Music Society, est. 1851] with its members playing a significant role in the development of concert life already before the formation of the Orchestra of the Philharmonic Society, a mission they carried on with later as well. Hungarian musicology studied the National Theatre’s general music director, Ferenc Erkel, and the theater’s internationally acclaimed prima donnas Rosalie Klein Schodel or Kornélia Hollósy on multiple occasions. However, we know little about the orchestral musicians who were also part of the theatre’s ensemble. Established in 1838, this orchestra eventually gave rise to the Orchestra of the Philharmonic Society (1853) and later to the ensemble of the Hungarian Royal Opera House (1884), which became the most significant professional symphonic ensemble in Budapest’s late 19th-century music life. This website offers an insight into the operation of the National Theatre, the activities carried out by its orchestra, and the life events of the instrumentalists. The approach centered on ‘everyday history’ is meant to provide our online visitors with a personal experience.

Circular of the National Theatre dated 15 March 1848: “On this Wednesday, 15 March 1848, the performance of ‘The Two Mothers’ Child’ will cancelled; it will be replaced at the request of the free Hungarian people by ‘Bánk-Bán’.”
Circular of the National Theatre dated 15 March 1848: “On this Wednesday, 15 March 1848, the performance of ‘The Two Mothers’ Child’ will cancelled; it will be replaced at the request of the free Hungarian people by ‘Bánk-Bán’.”
National Széchényi Library, Theatre History Collection, NSZ Kötetes iratok 701
Accusatory Book of the National Theatre, 1848–1853, which records the offenses committed by the members of the National Theatre.
Accusatory Book of the National Theatre, 1848–1853, which records the offenses committed by the members of the National Theatre.
National Széchényi Library, Theatre History Collection, NSZ Kötetes iratok 670
Excerpt from the 1857 National Theatre’s Directorial Minutes of March 16: “Kirchlehner requests the intendant to begin rehearsals of his opera ‘Der Doppelgänger’.”
Excerpt from the 1857 National Theatre’s Directorial Minutes of March 16: “Kirchlehner requests the intendant to begin rehearsals of his opera ‘Der Doppelgänger’.”
National Széchényi Library, Theatre History Collection, Analekta 395.
Autograph of the autobiography by Ferenc (Szeráf) Kirchlehner.
Autograph of the autobiography by Ferenc (Szeráf) Kirchlehner.
Autograph of the autobiography by Kirchlehner.
Library and Information Centre of the Hungarian Academy of Sciences, Department of Manuscripts & Rare Books, Ms 5662/257.
Kirchlehner (Szeráf) Ferenc: Das Siebengestirn und die kleineren Sterngruppen im Gebiete der Tonkunst aus Seraf Lener’s Werken (Pest, Druck von Johann Herz, 1861)
Ferenc (Szeráf) Kirchlehner: Das Siebengestirn und die kleineren Sterngruppen im Gebiete der Tonkunst aus Seraf Lener’s Werken (Pest, Druck von Johann Herz, 1861) Library of Musicology of the Institute for Musicology, RCH HUN-REN, Ma 3808
An article in Zenészeti Lapok [Musical Journal] from the year of Kirchlehner’s death, reporting on the musician’s hopeless situation
An article in Zenészeti Lapok [Musical Journal] from the year of Kirchlehner’s death, reporting on the musician’s hopeless situation
Zenészeti Lapok 8/16 (19 January 1868), 254.
József Szerdahelyi’s baptismal certificate.
József Szerdahelyi’s baptismal certificate.
National Széchényi Library, Theatre History Collection, Analekta 62
A personal letter by József Szerdahelyi addressed to János Simonsits, director of the National Theatre.
A personal letter by József Szerdahelyi addressed to János Simonsits, director of the National Theatre.
Hungarian Theatre Museum and Institute, Simonsits Legacy, no reference
József Szerdahelyi: Rákóczi March for four [recte: five] vocal parts.
József Szerdahelyi: Rákóczi March for four [recte: five] vocal parts.
Research Library of the Liszt Academy of Music, M 1020.
Letter of choir teacher Ignác Bognár to János Simonsits, Director of the National Theatre, 20 January 1850.
Letter of choir teacher Ignác Bognár to János Simonsits, Director of the National Theatre, 20 January 1850.
Hungarian Theatre Museum and Institute, Simonsits Legacy, no reference
Károly Doppler’s application for the position of second conductor at the National Theatre, 22 August 1850
Károly Doppler’s application for the position of second conductor at the National Theatre, 22 August 1850
Hungarian Theatre Museum and Institute, Simonsits Legacy, no reference
Károly Doppler’s contract as second conductor of the National Theatre, 4 April 1851.
Károly Doppler’s contract as second conductor of the National Theatre, 4 April 1851.
Hungarian Theatre Museum and Institute, Simonsits Legacy, no reference
Károly Huber’s application for the position of second conductor at the National Theatre, 27 August 1850
Károly Huber’s application for the position of second conductor at the National Theatre, 27 August 1850
Hungarian Theatre Museum and Institute, Simonsits Legacy, no reference
 Károly Huber: Violin School
Károly Huber: Violin School
Research Library of the Liszt Academy of Music, RZ 5683.
Letter from Károly Huber to Ferenc Erkel, summer of the year 1884.
Letter from Károly Huber to Ferenc Erkel, summer of the year 1884.
National Széchényi Library, Manuscript Collection, FOND XII 448.
Envelope from Károly Huber to Ferenc Erkel, summer of the year 1884.
Envelope from Károly Huber to Ferenc Erkel, summer of the year 1884.
National Széchényi Library, Manuscript Collection, FOND XII 448.

Curated by Pál Horváth